I was pointed to this fun NYT article about personal satisfaction by Sarah Vowell’s Facebook feed:
Not everything has to be great. Maybe it’s a thrill to watch things become great. Maybe it’s healthy to feel that a meal is reasonable, that a performance had its moments, that a trip was fun in parts, that a person is engaging and you look forward to finding out what they’re really like, that last night’s sex was nice. In my slow but persistent bid for the reader’s sanity, I hereby prescribe a period of allowing things to be adequate.
I agree. So, to wit, a few pleasingly adequate games I’ve played in the recent or not-so-recent past and that otherwise I might not bother to write about:
Arctic Scavengers: While deck-building is an inherently engaging design pattern, that doesn’t mean it’s easy to do something interesting and different. I like Arctic Scavengers for its chaos and uncertainty, because it’s designed on a standard deck-building core and yet goes in a completely different direction, and because of its effective communication design. Players are trying to build a tribe in a post-apocolyptic, nuclear-winter scenario, and the tropes of the genre – scavenging for equipment, skirmishes over scarce resources, bringing together scattered specialists – are all authentically there. I also like the new idea it brings to the game genre, that of building buildings which provide a permanent effect that helps you manage the chaos of the card flow. Is it a classic? No. But it pleasingly and effectively does what it sets out to do.
DC Comics Deckbuilding: Another deckbuilder, this is essentially Cryptozoic ripping off and re-theming Ascension (these comments apply more or less equally to the Lord of the Rings Deckbuilders, just choose which franchise you like best). The artistry here is not in the mechanics of the design, but in the application of new paint. It nicely hits all the touchstones of the genre, and all your favorite characters are here in more or less plausible versions of themselves. Also, all the games include many more attack cards (thematically keyed to defeated enemies) and fewer “permanents” (Ascension constructs) which gives them a bit more feeling of fluidity. It’s certainly not thematically rich, being closer to the Monopoly re-themes than to Lord of the Rings or even Cryptozoic’s own The Hobbit, but when the underlying game is excellent and reasonably appropriate to the genre you could do a lot worse.
Indigo: Classic Knizian elegance, this ones sees us building paths for stones that start on a central tile, trying to guide them to our scoring gates which are spaced out around the outside edge of the hexagonal playing board. The twist is that many gates are controlled by two players, both of whom will score when a stone exits. Natural alliances grow in various areas of the board as turn order and shared gates work for or against different player pairings. Abstract and not that deep, there is still a lot more here than a cursory glance might reveal, and the physical design of the game is very attractive. This is a prototypical nice game.
Infiltration: This brings with it the usual hazards of Fantasy Flight Games: tiny fonts and questionable presentation decisions make it physically hard to play for older gamers. Still, this is a nice, short push-your-luck game with Vaccarinio’s trademark of lots of interacting cards (rooms that you infiltrate through, in this incarnation) with special rules. What makes Infiltration for me is how nicely it pulls in the elements of the heist story: a ticking clock working relentlessly against you while you dodge internal security and deploy your fancy, high-tech equipment. The Android universe is also colorful and nicely-drawn.
Smash-Up: The central idea of this game is to get at the good stuff from deck-building games, while minimizing the risks of degenerate card offerings, runaway leaders, small early misjudgments dooming you, and other hazards of the genre. You “build” your deck out of two halves of flavored cards (Zombies bring cards back out of the discard pile, Dinosaurs have raw combat power, Leprechauns move cards around and change rules in combat, Ninjas sneakily show up right before scoring, and so on) to create Zombie Ninjas, Alien Dinosaurs, and other inherently entertaining combinations. It’s a nice mix of the zany with an interesting tactical/resource management game that gets much of the fun of deckbuilders without some of the downsides. Plus, it has really good art and even uses adequate font sizes! It maybe runs just a touch long and is a little thinky for what it is, but is still a nicely-put-together game.
Star Trek Catan: It’s more or less straight Catan, but the one mechanical addition – crew cards with special powers that you can keep for a short time – accelerate the game slightly, add some nice flexibility with things like relocating ships (roads), flexible bank trading, and add some more ways to help players catch up. The Federation Space expansion map is a nice touch and even includes episode references. The little plastic Enterprises and general presentation is also quite nice, although the fonts on the crew cards are ludicrously small. Catan is almost 20 years old at this point, but it’s still a classic game and fun to play a spruced-up version.
Uchronia: Glory to Rome was a game I think I always wanted to like more than I actually did. Despite the hugely appealing interplay of quirky special powers, it had a problem with punishing luck (you can be out of it in 15 minutes if you fail to draw a decent bootstrap combo early) and very little tolerance for players’ mistakes, with apparently minor errors easily throwing the game. This can lead to a lot of irritation for non-experts. Uchronia files off many of these rough edges and makes for a more streamlined, pleasing experience. It’s lost the quirky insanity of the original, which admittedly was a significant element of the draw; it’s also got a wretched rulebook that seems to uses terminology designed to be obtuse, and the fonts are (again) too small for how they are used in the real world. But get past this, and there is a solid game underneath that takes the well-conceived construction metaphor from Glory to Rome and turns it into a game more people will find engaging.
After a few dry years for new hobby boardgames, for me the last year or so has been great – in no small part due to plenty of solid, decent new games like this. Here’s looking forward to more of them.